Part two of our profile of the young Italian-born American video art phenom Federico Solmi, in the midst of his big current retrospective at the Morris Museum in Morristown, New Jersey; and more...
Appreciate the weight you lean on Solmi's earlier trade. This is no longer the country you can disappear in how it was I felt, still in 1993 when i left high school. All the analogies between the digital skins and butchery are speculative. But that is the kind of thought experiment we like. Differently than being indifferent, you wish for Frederico to stay productive and propose that he is carrying over ideas from his embodied last life. Seems true too because he comes from work in an excess of vitals, and he chooses to parody excess.
Appreciate the weight you lean on Solmi's earlier trade. This is no longer the country you can disappear in how it was I felt, still in 1993 when i left high school. All the analogies between the digital skins and butchery are speculative. But that is the kind of thought experiment we like. Differently than being indifferent, you wish for Frederico to stay productive and propose that he is carrying over ideas from his embodied last life. Seems true too because he comes from work in an excess of vitals, and he chooses to parody excess.